In 2019, the music she wrote as a teen was sold without her say. Six years later, she pulled off the comeback no one expected.
You saw the beginning on Facebook. On June 30, 2019, Taylor Swift found out that her first six albums had a new owner.
It was music manager Scooter Braun, the man she said had bullied her for years.
She posted a long, angry message on Tumblr. She called it her “worst case scenario.”
What she did next took six years, a few hundred million dollars, and the help of millions of fans.
How a 15 Year Old Lost Control of Her Music

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To understand the fight, go back to 2005. Taylor was a 15-year-old high school student in Nashville.
Record executive Scott Borchetta saw her perform at the city’s famous Bluebird Cafe. He was starting a new label called Big Machine Records. Taylor became its first big artist.
Like many young artists, she signed a deal that gave the label ownership of her “masters,” the original recordings of her songs. She wrote the music, but the company owned the recordings.
Over the next 12 years, she made six albums with Big Machine, from her 2006 debut to Reputation in 2017. They turned her into one of the biggest stars on Earth.
In her 2019 post, she wrote: “For years I asked, pleaded for a chance to own my work.”
She said Big Machine’s offer was to sign a new deal and “earn” back one old album for every new one she made. She said no.
In November 2018, she left for Republic Records under a new deal where she would own the masters of everything she made from then on. But the old six stayed behind.
The Sale That Shocked Her
On June 30, 2019, Braun’s company, Ithaca Holdings, announced it had bought Big Machine, and her old masters came with it.
Taylor wrote that she learned about it at the same moment the rest of the world did. She said her musical legacy was now in the hands of someone who had tried to tear it apart.
Fans were outraged. Stars like Halsey publicly backed her. Others, including Justin Bieber, defended Braun.
There was another side too. Borchetta said Taylor’s father, a small shareholder in Big Machine, had been told about the deal days earlier. Taylor’s team denied that she knew in advance.
Either way, one fact wasn’t in dispute. The songs she wrote as a teenager now belonged to a company she wanted nothing to do with.
“Without My Approval, Consultation, or Consent”

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That December, Taylor took the stage at Billboard’s Women in Music event. She told the crowd her catalog had been sold “without my approval, consultation, or consent.”
Then, in November 2020, it happened again. Braun sold her old masters to a private equity firm called Shamrock Capital. The price was reported to be more than $300 million.
Taylor said she hadn’t been contacted about that sale either.
By then, she had already started a plan most people in the music business thought was crazy.
The Plan Nobody Thought Would Work
Her old contract had a key detail. After a waiting period, she was allowed to record those same songs again.
So she did. She went back into the studio and recorded her old albums from scratch. She called the new versions “Taylor’s Version.” She owned these recordings.
Fearless (Taylor’s Version) came out in April 2021. Red (Taylor’s Version) followed that November. In 2023, she released Speak Now (Taylor’s Version) and 1989 (Taylor’s Version).
Fans made a choice. Many stopped playing the old versions and streamed only “Taylor’s Version.” The new recordings made the old ones worth a lot less.
But re-recording couldn’t give her the originals. For that, she’d need something bigger.
The Tour That Changed Everything

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On March 17, 2023, Taylor kicked off the Eras Tour in Glendale, Arizona. It became one of the biggest events in music history.
She played 149 shows across five continents. More than 10 million fans showed up. Pollstar estimated the tour grossed more than $2 billion, nearly double any tour before it.
The final show was on December 8, 2024, in Vancouver.
Along the way, she became a billionaire. Bloomberg added her to its billionaires list for the first time in October 2023.
Now she had the money. The question was whether anyone would sell.
“All of the Music I’ve Ever Made Now Belongs to Me”

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On May 30, 2025, Taylor posted a letter to fans on her website. She had bought back her masters from Shamrock Capital.
“All of the music I’ve ever made now belongs to me,” she wrote.
The deal covered more than the songs. She now owned the original recordings, music videos, concert films, album art and more.
She didn’t reveal the price. Billboard’s sources said it was about $360 million, close to what Shamrock had paid.
She thanked her fans directly. She said their support for the “Taylor’s Version” albums and the Eras Tour is what made the purchase possible.
She also praised Shamrock as the first people who had ever offered her the chance to buy her music. She joked that her first tattoo might be a giant shamrock in the middle of her forehead.
Here’s a twist most fans don’t know. Shamrock is a Los Angeles investment firm founded by Roy E. Disney, Walt Disney’s nephew.
And one more surprise: she said she hadn’t even re-recorded a quarter of Reputation. Once she owned the originals, she didn’t need to.
The songs she wrote as a teenager were hers again, nearly 20 years after she signed that first contract.
What She Fought For
Taylor Swift didn’t win by being the loudest person in the room. She won by being patient. She kept working, and she let her fans help.
Her fight also changed how a lot of young artists look at their contracts.
Sometimes what you lose isn’t gone for good. With enough patience and the right people behind you, you can win it back.

